![]() We are going to shape the smoke with the shutters so it looks like the light is coming off the street lights we created. Source 4 lights are a very pinpoint light source and can focus so that the light shaft will be sharp. For our street lights, we will use a Source 4 light on a stand aimed down toward the floor. I wanted a car, but it canceled on me at the last minute so instead we took two Arri 650s and put them on a cross bar and used this as our car lights. I love this machine! I also used the Rosco Vapour Plus Fog Machine to add smoke at times and give the image depth. It is not an exact science but once you get it balanced, it will give you constant haze all day long on a gallon bottle of fluid. We are going to use the Rosco V-hazer to fill the room with haze and create the mood. There you go for $60 each, we have two DIY street lights. The carriage lights came with screws that simply tightened to the top of the pole. I then bolted an end cap to a piece of 3/4 inch plywood and then just shoved the pole in. To make the light poles, I took a four inch ABS pipe and stepped it down to two inches using a step down collar. We will now use two DIY street light poles made out of ABS pipes with carriage lights on top. This is a simple set: a black curtain in the background, and black plastic on the floor with some water puddles to make it look like it just rained. Let’s take a look at our shoot and how we set it up. Grids are perfect for a film noir shoot with hard light and deeper shadows. The spill in the shadow areas of the image increases as you go to larger grids. Grid light is very directional and not soft. It covers about eight feet and is bleeding into the shadow area more than the other grids did. Less restriction of the light allows more light to pass through and gives us a brighter exposure. It increases to six feet with the 30 degree grid. The area of coverage with a 20 degree grid is about five feet. Each time we step up the grid, we get a larger area of coverage and gain about two-thirds of a stop in exposure. You get about a three foot area of coverage. The light does not fill the area outside of the area of coverage. With a 10 degree grid, you get a very small area of coverage. The light is six feet from the wall and the camera is set to f6.3 aperture with a 1/60sec shutter. I love them because they help give you more control of the light.įirst, let’s take a look at how the different sizes of grid look with our subject against a white wall. They restrict the area of coverage for the strobe. I want to show how grids work and how you can light with them while at the same time mixing them with tungsten light.Īs we have covered in past lessons, grids are a honeycomb metal insert that go into the reflector. I have been looking forward to shooting here for some time and today is the day! We are going to shoot a film noir shot using grids on strobe heads and mix that with a similar looking light from the film world called a Source 4. It’s a wonderful facility with great equipment and helpful people. Today we are shooting at the YouTube Space for the first time.
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